[Organizers] Motion Picture Producers Association of Japan, UNIJAPAN　

To present the opportunity for creators including producers and directors who attend TIFFCOM to learn about the co-production with Southeast Asian countries.

#Introduction

#Case Study: The delicious and delightful ingredients of international co-production in Morte Cucina
"Morte Cucina" (TIFF Competition/ Thailand, Singapore, Taiwan, Luxembourg, USA)

#Panel Discussion: Soaring dreams in ASEAN Animations featuring top experts and animation producers from Japan and Southeast Asia.

[Organizers] Cultural and Creative Industries Development Agency of the Government of the Hong Kong Special Administrative Region / Hong Kong Film Development Council
[Supporting Organizer] Hong Kong Trade Development Council

Asia’s animation industry is evolving rapidly, shaped by cross-border collaborations, diverse storytelling, and new approaches to IP development. This panel brings together creative leaders and producers from Hong Kong, a region known for its hybrid cultural influences and dynamic media landscape, and Japan, which is celebrated for its rich history and significant global impact on animation. Together, they will share insights on producing content that resonates with both local and global audiences.

Director Raman Hui, known for his Hollywood background and directing a major box-office hit in mainland China, will share his perspective on bridging Western and Asian storytelling sensibilities. Producer Polly Yeung will discuss how projects like “Another World”, selected by Annecy, reflect growing international interest in original Asian narratives. Samuel Choy, producer of “McDull” and “The Excreman”, will explore how Hong Kong IP evolves and expands through creative production strategies. Koji Morimoto, an acclaimed Japanese director recognized for his groundbreaking works and influence on the global animation industry, will contribute insights from Japan’s unique perspective—enriching the discussion with his deep experience in navigating both domestic and international creative landscapes.

The discussion will also address the broader Asia-Pacific context — including trends in co-production, financing, and distribution, as well as how various Asian markets navigate the global animation ecosystem — making this panel highly relevant for those interested in cross-cultural animation ventures.

[Organizer] UNIJAPAN

Japan has long been recognized as an “IP Treasure Box,” producing countless intellectual properties that it proudly shares with the world. This seminar will explore the current state of global adaptations of Japanese IP, with examples from both the Asian market and Hollywood. Furthermore, in an era where entertainment transcends language and national borders, we will also examine how Japanese IP continues to evolve and what new possibilities may lie ahead for the future.

[Organizer] Office of Commercial Affairs, Royal Thai Embassy

Bringing the irresistible charm of Thai stories to the world with unique chemistry, heartfelt emotions, and captivating narratives. These tales enchant audiences across cultures, inspiring fans everywhere to fall under the spell of Thai storytelling.

[Organizer] JETRO (Japan External Trade Organization)

Türkiye has become a drama powerhouse, producing numerous hit series by remaking stories from around the world. In this seminar, leading Turkish licensing company with extensive remake experience and Japanese TV companies actively pursuing international expansion will come together to share insights - the latest trends in the Turkish drama market, successful remake cases, and new perspectives on the potential of Japanese contents. The seminar will also explore the unique value created through collaboration between Turkish and Japanese companies. Join us to discover the forefront of Türkiye’s remake drama market and the global journey of Japanese drama.

[Organizer] Nippon Television Network Corporation

We, the Nippon TV Group, are accelerating our efforts to become a global content creator originating from Japan, guided by our bold new management vision, “Change the ‘World’ Through the Power of Content,” and the slogan “Gear up, go global.”
We are transforming our planning and production systems—once focused primarily on the domestic market—into a dynamic structure designed for the global stage. By going beyond traditional broadcasting frameworks and crossing borders, we aim to deliver Japanese content to audiences worldwide and achieve significant growth in overseas revenue.
In this seminar, we will present specific initiatives of Nippon TV’s global business strategy, covering a wide range of topics such as content production for the global market and the development of new AI technologies.

[Organizers] VIPO (Visual Industry Promotion Organization) / KOFIC (Korean Film Council)

The Visual Industry Promotion Organization (VIPO) and the Korean Film Council (KOFIC) are co-hosting a seminar to foster international film co-productions and collaborations between Japan and Korea. As part of the program, this seminar will provide filmmakers with essential information on the incentive systems in both countries, aiming to increase their understanding and promote the use of these systems. Five producers interested in co-production or collaboration have been selected from each country to participate in the program, and the selected producers will be introduced at the seminar. 1:1 meetings with selected producers are held at booth #2-04.

[Organizer] TBS HOLDINGS, INC.

In this seminar, we will look back on 2024, the year TBS declared as the first year of TBS Global Business. The session will introduce TBS's initiatives and upcoming plans, highlighting details of TBS’s strategic alliance with Viet Nam’s national broadcaster, VTV, and the future outlook for THE SEVEN, the global strategic studio established by TBS. In 2024, THE SEVEN continued to take on new challenges. They released the third season of the worldwide Netflix hit “Alice in Borderland” for global distribution, and launched their first self-produced and self-distributed film, “BAKA′s Identity”, which was selected for the competition section of the Busan International Film Festival.

[Organizer] Yomiuri Telecasting Corporation

Kansai-based broadcaster Yomiuri TV has joined forces with the Italian animation studio Studio Bozzetto to produce a new anime series, Pino & Shinoby, which will be broadcast in both Japan and Italy. Following its world premiere at the Italy Pavilion of Expo 2025 Osaka, Kansai, the locally born character “Shinoby” is now ready to leap onto the global stage.
This seminar offers a behind-the-scenes look at an international collaboration sparked by TIFFCOM. It aims to open up new possibilities through IP-based business creation and explore exciting opportunities for co-creation with partners in Japan and around the world.

[Organizers] Shanghai Municipal Administration of Culture and Tourism / Shanghai Municipal Administration of Radio and Television / Shanghai Broadcasting Film & Television Producers Association

To display the charm of Chinese culture and spread the brilliant works produced in Shanghai, the 2025 Shanghai Showcase of Screen Productions, hosted by the Shanghai Municipal Administration of Radio and Television and co-organized by the Shanghai Broadcasting Film & Television Producers Association, will bring together a number of outstanding film and television companies in Shanghai, including XG Entertainment, SHANGXIANG ENTERTAINMENT, Linmon Media, and XIXI PICTURES. The event will highlight the diverse vitality of Shanghai's film and television creation, build the production lineup for Shanghai Showcase and international communication brand, and promote more outstanding works to enter the international market.

[Organizer] Sony Pictures International Productions

Sony Pictures International Productions (SPIP) plays a central role in Sony’s worldwide theatrical strategy by developing films and series based on compelling IP, including many from Asia and Japan.
SPIP has been producing international remakes inspired by successful stories around the world, such as Padre No Hay Más Que Uno (Spanish remake of Argentine IP Ten Days Without Mom), I Hate Summer (Spanish remake of an Italian IP), and French IP Price of Parenting, which has been adapted in Italy, Mexico, and Spain, a Thai remake of 50 First Dates and a Brazilian remake of Friends with Benefits, as well as Italian and Mexican remakes of SPIP’s German local production 25 km/h. Notably, SPIP also produced the latest Mexican adaptation of the beloved Japanese IP Shall We Dance?, and distributed the Chinese remake of another Japanese IP, YOLO, to international markets.
Through these examples, the session will explore how SPIP strategically develops remake projects and localizes IP across diverse markets.

[Organizer] Broadcast Program Export Association of Japan (BEAJ)

BEAJ will present case studies and the latest trends in international co-productions by Japanese broadcasters and production companies that are BEAJ members. We will share insights on co-productions with overseas production companies from WOWOW and AX-ON, showcase the achievements in international co-productions by ABC TV and NHK Enterprises, and introduce the potential for overseas expansion from TV Miyazaki utilizing the Local Contents Bank. Finally, BEAJ will introduce its various initiatives to connect Japanese broadcast content with the world, such as promotional events at international markets and the online catalog JPC. We invite you to join us for this opportunity to build new partnerships.

[Organizer] KOCCA (LG U+)　　

-LOVE PHOBIA-
LOVE PHOBIA is a near-future romantic comedy drama that explores the meaning of love in a society where efficiency takes priority over human connection. Bia, the CEO of an AI dating app, and Seon-ho, a romance novelist, are brought together to collaborate, confronting their opposing values and emotional scars. The series raises the question: “Can AI truly bridge the emotional gaps between people?” while delicately portraying themes of isolation, trauma, and healing. Blending cutting-edge AI concepts with heartfelt storytelling, it resonates deeply with today’s 20–30s audience and offers a fresh perspective on the essence of love through striking character chemistry and socially relevant themes.

- Someday of Me -
Someday of Me is a coming-of-age journey of a young woman breaking free from the illusions of first love. Blending revenge, personal growth, friendship, family, and romance, it tells the story of Gong Mirae, who may be clumsy in love but is more sincere than anyone else. Through the pain of real-life relationships, she discovers not only the challenges of love but also the deeper love for herself.

[Organizer] The Association of Japanese Animations

[1st Part] First Release! 2024 Animation Industry Market: Domestic and Overseas
[2nd Part] Case Study: Centered on Global Expansion of Animation Business

The Japanese animation industry has been experiencing steady growth since 2010, supported by strong domestic demand and the rapid expansion of overseas markets. In 2024, the content industry, including animation, was designated as a core industry, with a target of quadrupling the size of overseas markets from 4.7 trillion yen to 20 trillion yen by 2033.
This seminar focuses on the key factors driving the growth of the Japanese animation industry and its future outlook, featuring the first public release of statistical data from the 2024 industry survey, Anime Industry Report 2025, along with case studies of production companies engaged in overseas expansion.

*The Association of Japanese Animations Anime Industry Report 2024 Summary p.1 ** The Cabinet Office New Cool Japan Strategy p.26

[Organizer] China Film Co-production Corporation

To foster exchange and cooperation between the Chinese and international film industries, China Film Co-production Corporation (CFCC) has established China Film Pavilion (Booth: 5-04) at TIFFCOM 2025. The pavilion showcases nearly 70 Chinese film companies and institutions, along with a curated selection of over 180 high-quality Chinese films from recent years. A highlight of the pavilion is the "China Film Promotion" event, where select representative companies will present and promote their latest films.

[Organizers] Tokyo Contents Incubation Center (TCIC) / Into Global

Producer Choi Yoon-hee (CEO of Barunson E&A), who produced ”Parasite”, Asia's first Academy Award-winning film, and producer Kawai Shinya, known for ”Swallowtail Butterfly” and the Cannes Film Festival Director's Award-winning ”Yi Yi: A One and a Two”, take the stage.
They will guide filmmakers who are serious about going global through a practical roadmap to international co-production.

[Organizers] UNIJAPAN / KOFIC / Tokyo University of the Arts / Korean Academy of Film Arts / Agency for Cultural Affairs, Government of Japan

Tokyo University of the Arts (TUA), in collaboration with Korean Academy of Film Arts (KAFA) launched a program aimed at fostering global competencies among emerging filmmakers from both countries last year. Students from TUA and other Japanese universities of Arts and graduates from KAFA and emerging filmmakers in Korea were selected to engage in cross-cultural exchanges for this 2nd edition. This pitching event is a key element of the program and please behold the first footstep of the promising young filmmakers who will be the leaders of Asia and global film industries.

[Organizer] China Pavilion

This forum focuses on the promotion and cooperation of high-quality Chinese film and television content: systematically showcasing Chinese film and television masterpieces to Japanese and international partners.

[Organizers] Motion Picture Association (MPA) / Digital Hollywood University (DHU) / TIFFCOM

[First Session: Masterclass Seminar]
We will listen to an internationally acclaimed filmmaker. This year we will be joined by Schuyler Weiss who produced Baz Luhrmann’s latest feature film "Elvis" which was nominated for eight Academy Awards including Best Picture. He will share his stories behind the scenes and work ethic.

[Second Session: Pitching Contest]
Authors of the five projects selected from the submitted synopsis plus two others who were selected from "TUA-KAFA Feature Film Project Co-Development Workshop - Pitching," separately will be asked to make a pitch.
The Grand Prize winner will receive a trip to the Global Film & Television Immersion Program in November 2026 to see how film and television business is conducted in Los Angeles.
This program includes a 5-day course, round-trip economy class airfare from Japan to Los Angeles.

[Organizers] Institute of Film, Television and Theatre, Peking University / International Institute of Film and Television Development, Zhejiang University
[Co-organizer] China Film Co-Production Corporation

The China Film and Television Blue Book (2018-2025), co-edited by Professor Xuguang Chen of Peking University and Professor Zhizhong Fan of Zhejiang University, has been published annually in two volumes since 2018. It summarizes China’s film and television production, workforce, and industry trends while analyzing the annual “Top Ten” works selected by online audiences, students, and over 50 industry experts and scholars. Launched at major international film festivals in Berlin, Shanghai, and Beijing, the Blue Book has been presented at prestigious universities across the US, Japan, South Korea, Germany, Greece, New Zealand, Tanzania, Kenya, and Nepal, serving as a vital window for understanding Chinese film and television development globally. The 2025 edition will be presented at TIFFCOM 2025.