Visitor registration for TIFFCOM 2026 is now open.

Please click this link for the details of Visitor Registration.

Visitor Registration Fee

Category	Registration Period & Fee
Early Bird	Until September 10 (Thu), 2026, 11:59 AM (JST) 19,800 JPY (tax included)Save!
Standard	September 10 (Thu), 2026, 12:00 PM (JST) – October 20 (Tue), 2026, 11:59 AM (JST) 25,300 JPY (tax included)
Walk-In	October 27 (Tue), 2026, 1:00 PM (JST) – 30 (Fri), 2026, 11:59 AM (JST) 29,700 JPY (tax included) * Please register online via the Visitor My Page. * Payment is accepted by credit card only.

• * Badges are valid for the entire market period. One-day badges are not available.
• * Details regarding the start of registration and the timing of price changes will be announced on this website and in the newsletter.

Toward TIFFCOM 2026 – Greetings from the CEO of TIFFCOM and the Managing Director of TIFFCOM

TIFFCOM, in partnership with the Marché du Film, the film market of the Festival de Cannes, co-organized the first Japan IP Market in Cannes this May. The market featured dynamic negotiations with leading producers from around the world seeking Japanese IP for adaptation and remake, and more than 700 people in total registered for the IP pitches, panel sessions, and other programs, generating an exceptionally strong response.
The growing global demand for Japanese content was clearly evident.

Building on this momentum, TIFFCOM 2026 will return for its 23rd edition this October. As a hub for the content business in Asia—and as the premier market showcasing Japanʼs diverse, high-quality audiovisual content including film, television, and animation—we are delighted to welcome participants from around the world and to continue fulfilling this important role.

The Tokyo Gap-Financing Market (TGFM), which promotes international co-production, now marks its seventh edition. Over the years, many selected projects have gone on to screen at major international film festivals and receive successful theatrical releases.
This year as well, around twenty exceptional projects—carefully chosen from a large number of submissions—are expected to participate.

Following the strong reception in Cannes, the Tokyo IP Market: Adaptation & Remake (TIPM) will welcome an even greater number of companies and IP than in previous years, further evolving into a more comprehensive and dynamic marketplace.

Our conference programs, which continue to receive high acclaim, will welcome distinguished international guests and present the latest industry insights—offering participants meaningful perspectives that will support their future business endeavors.

We sincerely hope that TIFFCOM will continue to be a place where new business opportunities, collaborations, and partnerships emerge in Tokyo, and that it will serve as an important gateway to the global market for Japanese participants as well.

Executive Adviser of UNIJAPAN / CEO of TIFFCOM
SHIINA Yasushi

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Last year’s TIFFCOM welcomed more than 4,600 industry professionals from 46 countries and regions—a 13% increase from the previous year. International participation also rose by 10%, and with 83% of visitor survey respondents reporting that they successfully found new business partners, these results have reaffirmed our vital role as a platform that provides truly meaningful opportunities for new business development.

For TIFFCOM 2026, we have received exhibitor applications from around the world at a pace exceeding that of previous years, and today we are pleased to open visitor registration.

We are committed to making TIFFCOM an even more valuable three-day experience for buyers, producers, and all visitors—offering opportunities to trade outstanding content, access the latest industry insights, and network.

The Tokyo IP Market, which handles adaptation rights for manga and novels as well as remake rights for audiovisual works, will expand its scale this year. The Tokyo Gap-Financing Market, our project market for feature films, will support international co-productions with a focus on genre projects, a particular strength of Asia, through its partnership with Frontières, the project market of the Fantasia International Film Festival in Canada.

Our conference program will feature approximately 20 sessions covering a wide range of topics, including the global expansion of Japanese IP, the latest anime industry report, AI, and international business and collaboration, with a particular focus on Asian countries.

We look forward to welcoming you to TIFFCOM this October.

Managing Director of TIFFCOM / UNIJAPAN
IKEDA Kaori

TIFFCOM 2026 Key Visual

Takashi Kawakami, known for his illustrations featured on the cover of the pop-culture magazine BRUTUS, as well as for fashion brands and commercial facilities, returns as designer.

＜Key Visual Designer – Message from Takashi Kawakami＞
I am truly honored to be in charge of the main visual once again this year. As someone who has been deeply inspired by countless film and visual works, it is a great privilege to be involved in TIFFCOM, the leading audiovisual content market in Asia. I sincerely hope that many more works that become someone’s treasure will reach audiences around the world.

＜Profile＞
Editor / Motion Graphic designer / Illustrator / Graphic designer
Born in Takatsuki, Osaka. After graduating from university, he started learning visual production centered on video. As a video editing and motion graphic designer in production companies in Nagoya and Tokyo, he was involved in various forms of video including CM / VP, while also working as a graphic designer. He became a freelancer from September 2015, and also started activities as an illustrator. He has worked on numerous pieces, such as the magazines “BRUTUS” and “UOMO”, key visuals for TOMORROWLAND, seasonal visuals for commercial facilities, and corporate advertisements.